Video Mapping Festival #2
IBSIC – Image Beyond the Screen International Conference
Thursday 28th > Saturday 30th of March 2019
Arenberg Creative Mine (salle LEAUD), Wallers-Arenberg
L’hybride and Palais des Beaux-Arts, Lille
On the occasion of the opening of the Video Mapping Festival #2, Rencontres Audiovisuelles and the DeVisu laboratory of the Université Polytechnique Hauts-de-France offer IBSIC, an annual event dedicated to the video mapping industry, in the presence of international great names in the sector.
Meetings, conferences, case studies, projections… 35 professional speakers will share their experiences and analyse the various aspects of this new sector which is growing significantly (writing, technology, training, production, economic models, projection, etc.).
Networking times will also be provided to meet artists, producers, programmers, etc.
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WRITINGS
Artists have experimented with all types of video projection on volume, gradually transforming this technical tool into a full artistic discipline. Using 2D, 3D or even real photography, creators reshape the reality of a surface, incorporating mature and complex sound creations, to bring effective and sensory narratives to viewers. Videographers, visual artists, musicians, developers or theorists, all collaborate within an art that is constantly in motion.
By exploring various fields of application, video mapping is confronted with questions of interactivity, sound design, artistic choices and physical constraints. From these challenges emerge new forms and methods of writing that we will try to understand through short conferences.
• Video mapping creation process
Daniel Schmitt – lecturer and researcher, DeVisu laboratory, Université Polytechnique Hauts-de-France (France)
Marine Thébault – research engineer, DeVisu laboratory, Université Polytechnique Hauts-de-France (France)
• Monumentalise the monumental through video mapping
Alexandra Georgescu-Paquin – doctor in heritage studies and communication (Canada)
• Evolutions, story of a mapping script created by Yann Nguema
Jean-Baptiste Wallers-Bulot – light artist and web editor (France)
• What are the specificities of sound design and music for mapping?
Mourad Bennacer – sound designer, Nature Graphique (France)
Miguel Gozalbo – sound designer, Telenoika (Spain)
Daniel Schmitt – lecturer and researcher, DeVisu laboratory, Université Polytechnique Hauts-de-France (France)
Daniel Schmitt is a lecturer at the Université Polytechnique Hauts-de-France. His researches focus on the lived experience and instrumented mediations of tangible and intangible heritage. More broadly, Daniel Schmitt develops methods to identify the construction of meaning in ecological situations, that aim to answer the following questions: how do we construct meaning individually and collectively in our ordinary work or leisure situations? How do we make decisions, according to what dynamics? He has also participated in numerous museum and exhibition projects in France and abroad.
www.uphf.fr/DEVISU
Marine Thébault – research engineer, DeVisu laboratory, Université Polytechnique Hauts-de-France (France)
As a research engineer at the DeVisu laboratory (Université Polytechnique Hauts-de-France) in Information and Communication Sciences, Marine Thébault focuses her research on the construction of meaning by people in situation, particularly in the field of art.
www.uphf.fr/DEVISU
Alexandra Georgescu-Paquin – doctor in heritage studies and communication (Canada)
Alexandra Georgescu-Paquin holds a PhD in heritage studies and communications (UQAM, Canada and UAPV, France), she also has a background in art history and film studies. Her multidisciplinary background allows her to take a decompartmentalised look at contemporary creations related to heritage. She has participated in several international conferences and publications, and is the author of L’actualisation du patrimoine par l’architecture du patrimoine (PUQ, 2014). Living and working as a professor in the field of tourism and heritage in Barcelona, her current research on video mapping are in line with her work on the updating of heritage.
Jean-Baptiste Wallers-Bulot – light artist and web editor (France)
Jean-Baptiste Wallers-Bulot is a web editor specialised in light art, digital visual arts, video mapping and light painting on the 1st Frenchspeaking light portal: Light ZOOM Lumière. Passionate about lighting since childhood, he is a light artist and expresses himself with natural or artificial light as well as light painting performances. Several trainings led him to the field of light: Ceramic design in Sèvres, Urban design at ESAAD, École du Paysage de Versailles, Live show, exhibition and contemporary art Industry, Lighting design… He is also the initiator and co-founder of the Ligue Francophone de Light Painting, bringing together more than 50 international artists.
www.lightzoomlumiere.fr
Mourad Bennacer – sound designer, Nature Graphique (France)
Mourad Bennacer is a multimedia artist based in Montreal. He is a musician, sound designer and visual designer. Active on the electronic music scene for several years as a producer and DJ, his musical signature has been early on anchored in an abstract and hypnotic form of hip-hop, impregnated with electronic influences and science-fiction. Nurtured by an approach focused on experimentation with images, his music is rapidly evolving beyond the limits of beat-music, generating a series of researches mixing sound design, visual creation and creative coding. He specialises in creation for immersive environments and interactive contents, and regularly collaborates with Nature Graphique.
www.nature-graphique.com
Miguel Gozalbo – sound designer, Telenoika (Spain)
An electronic musician, audiovisual engineer and visual arts survivor, Miguel Gozalbo made his first steps into music at the end of the 1990s, with Maquina de Turing, a group he founded with a few friends in 2001. He joined Telenoika in 2002 to create video hacks and various performances in public space before embarking on video mapping in 2009. He then composed and designed sound and video scénographies for the theatre, playing with the integration of technology and audiovisual into performing arts. In recent years, he has been involved in cutting-edge audiovisual projects related to digital art and in exhibitions.
www.telenoika.net
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> Full programme
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Organised by Rencontres Audiovisuelles and the DeVisu laboratory of the Université Polytechnique Hauts-de-France, with the support of the European Union, Feder programme, the Hauts-de-France Region, the Communauté d’Agglomération de La Porte du Hainaut, The City of Wallers-Arenberg and Arenberg Creative Mine.
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More info: videomappingfestival.com
Facebook : Video Mapping Festival
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